I WAS supposed to watch Vibronics, the British reggae/dub collective at Irie Sunday on November 18, but I was bone tired to take another step after a heavy weekend of covering sports and attending the November Komikon.
Luckily for me, I still got to sit down with Steve Gibbs (aka Steve Vibronics) in Bonifacio Global City in Taguig last Tuesday, November 20, to talk about his Manila gig, reggae and dub, our mutual love for punk rock, and his records.
I had heard of Vibronics from Eric Hinton of Thievery Corporation during a chitchat years ago. How that came about was my following of Hinton’s previous band, the Exodus Quartet, during the acid-jazz years, until the formation of Thievery Corporation.
(Writer’s note: I love “Thievery” for their unique meld of reggae, dub, bossa nova, jazz, and world music into an incredible synthesis. I have all their records and list them as one of my all-time favorite recording acts. So, if they recommend anyone, who am I not to check them out? They obviously know their stuff.)
Gibbs’s set during Irie Sunday wasn’t his first gig in Manila. He did one in 2011, and now he’s on another Asian tour, having just finished a show and a dub workshop in China. In Manila for a few days, he’s off to Japan on Wednesday, November 21.
That Tuesday afternoon, he had a recording session with Filipino reggae/dub artist Red I. The Briton is excited and optimistic that the collaboration might result in something fruitful.
“Collaborations are at the heart of what I do,” explained Gibbs. “After all, I cannot do everything. I collaborate with a lot of musicians and singers.”
The Internet as instrumental
EVEN if this is his second time in this part of the world, Gibbs is still amazed that people know of him and the music he makes.
“Until I started traveling, I thought that my music was heard of only in the UK and Europe,” admitted Gibbs after a sip from his coffee. “I guess it is because of the Internet that people get to hear all these underground acts.”
“There is this vibrant network of underground bands and artists. Everyone knows everyone, and everyone supports one another. I just put the word out and the guys in China, Manila and Japan said, ‘Let’s make this happen.’”
Irie Sunday saw a couple of hundred people pack the venue for a night of reggae music and Jamaican food. “My idea of fun, until some of the neighboring establishments started to complain about the loudness of the music. We had to reach a compromise about what was acceptable and listenable.”
Growing up in Leicester City in England, Gibbs knew right away that he wanted to make music for a living. “Some people want to be professional football players, civil servants, doctors, or even astronauts. Me? I wanted to make music.”
During his formative years, he was weaned on punk and new wave. And then came reggae and dub. “Since Jamaica was a British colony, we have always had Jamaican expatriates in the UK. And they brought their music along, so we were exposed to a wide variety of their music: reggae, dub, ska, and rock steady. And I fell in love with it. And when I got to make my music, I always wanted to take it as far as I could.”
‘Color me amazed…’
IN his 20 years as an artist, Vibronics has released 14 albums, 73 singles and extended play albums. Talk about being prolific.
“It helps that I have my own studio,” explained Gibbs. “Some people get up in the morning and pick up the paper to read or surf the ‹Net. Me? I make music.”
And Vibronics’ music has seen Gibbs travel all over the world. “I used to think that we had a great dub scene in England and in France, but there are great [ones] as well in Peru and Mexico. I think it is pretty cool as well here in Manila. Color me amazed,” he enthused.
With his collective experiences and travels, Gibbs stated that one of the biggest thrills of his life was having the famous (and late) British DJ John Peel play one of his records on his show. “It did tell me that I have ‘arrived,’” gushed Gibbs. “That’s John Peel!”
Sipping the last of his coffee, Gibbs pronounced, “I have released records, and that’s a great thing for someone weaned on [them]. I have collaborated with a lot of artists and performed in many places. And now, to be sipping in a coffee house in Manila with you, and to be recording later with Red I… have the best job in the world.”