FOR visual artist Christian Tamondong, the concept of letting loose and having fun usually involves the creation of fantastic realms. Such is what transpired recently when the artist had to make a choice—one that proved to be easy and ultimately auspicious.
“I was thinking of working or sleeping,” he said, “but I decided to play instead.”
It was a decision that led to the birth of Tamondong’s new, abstract worlds which are now featured in his latest solo exhibition with Galerie Anna. The show, titled Third Thoughts, opens on October 11 and runs until October 24.
Tamondong has been active in the local and regional art scene since 2003. He expresses daring concepts through geometric forms and bursting colors, a style that has won him acclaim and several contests. This includes the PLDT-DPC National Director Cover Visual Art Competition and the Art Association of the Philippines Annual Art Competition.
In his newest showcase, Tamondong presents a series of paintings that serve as a playground for the audience to explore. While it’s the artist who chose to frolic in his peculiar worlds, it is actually the audience who gets to play.
Third Thoughts draws viewers to delve into the artist’s dimensions. The artworks draw shades of the signature styles of noted Bauhaus artists. There’s the curated ambience of Joan Miró and the prominent forms of László Moholy-Nagy. But unlike other proponents of what’s considered the most influential modernist art school of the 20th century, Tamondong introduces beings—or at least the representation of them—in his creations.
Amid the strong, red background in Third Thoughts Series #11, watchful, bloodshot eyes appear to be on the lookout for threats. Meanwhile, tamed entities hold their posts in midnight scene in Third Thoughts Series #4.
Tamandong also presents a black-and-white artwork in Third Thoughts Series #2. Is it the artist’s way of proving that his art does not rely on colors alone?
The artist may also simply be inviting the audience to some level of active participation. By presenting a break in the multi-colored showcase, the viewer might feel compelled to supply the hues in the piece on his/her own.
After all, Tamondong’s idea for the exhibit is to play. What good is playtime if not shared with others?
Galerie Anna is located at SM Megamall Building A in Mandaluyong City. More information is available at www.facebook.com/galerieanna or www.instagram.com/thegalerieanna.