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During
the past week, I was deeply engrossed with two seemingly
disparate activities. The first was the visit of the
Young Turks—Adel (Tamano), Danton (Remoto), Erin (Tañada)
and Gilbert (Remulla) to Silliman University, Dumaguete
City, on July 10 and 11. The other activity was the
“Magkaisa sa Awitan” choral festival commemorating the
100th anniversary of the United Church of the Good
Shepherd (UGCS).
The
music of New Politics
It is
starting. The young are singing a different political
tune. It is the music of New Politics. Young people are
responding to the call for New Politics in talk shows,
blogs and assemblies. They are moving away from apathy
and are starting to march to a different drum. They are
talking to the Young Turks.
Who are
the Young Turks? During the first leg of their
university tour in Silliman University, many asked this
question. Are they similar to the young men of Turkey
who started the Young Turks Revolution that brought down
the monarchy? Or are they like the young Filipino
politicians who defied their party elders?
Adel
says it was the media who gave them the name, which was
quickly picked up by young people who responded to their
blog, the opposite of apathy.wordpress.com.
The call
of the Young Turks is addressed to the young—not
necessarily in age—but in terms of hope, fresh ideas,
and relief from the cynicism and sense of hopelessness
pervading the country. They call for the participation
of all sectors, especially the marginalized, in the
political process. They challenge the youth to engage
the government on urgent national issues.
Coming
from different political parties, the Young Turks cross
political, ideological, religious and social boundaries
imposed by the traditional political process.
For
their visit to Silliman University, they got up at the
crack of dawn to board the first flights to Dumaguete.
Upon arrival, they gamely followed a strenuous schedule,
which included three major fora with the political
science and history majors, business and economics
students and the all-university convocation held in
Silliman Church.
In
between, they walked from one part of the campus to
another, talked with students, faculty and staff. The
only thing they could not do was sleep.
The
questions raised by the students in the three fora were
both disturbing and inspiring. A recurrent theme was the
disappointment and apathy of the youth. One student
complained that their hopes had been raised and
destroyed so often. What guarantee is there that they
would not be disappointed again with New Politics?
Another
student talked about his province, which is one of the
poorest in the country even as their governor is
wallowing in wealth. A son of a former mayor spoke
passionately about how his father was impelled to change
political parties in order to access funding for their
poor municipality.
A
student wanted to know why Gilbert proposed the
abolition of the Sangguniang Kabataan even as Erin
wanted it reformed and strengthened. More questions
about gender equality, exploitation of natural resources
and exclusion of minorities in politics. And always, the
despairing query, “Is there hope?”
Gilbert
kept repeating like the Lord of the Rings’ Arwen, “There
is hope. The hope is in you.” Erin challenged the young
to “reclaim the government!” Danton called for more
inclusiveness in politics. Adel urged the youth
repeatedly to continue engaging the government and the
political system. He said everyone should have a place
at the table.
A
different kind of music, indeed!
‘Gloria’
is not the name of a woman
This is
as far as Christians are concerned. This is the musical
message conveyed during the soul-stirring rendition of
John Rutter’s “Gloria” by more than 200 singers from
eight choirs under the baton of Dr. Romulo Pizana. To
the typical Filipino, Gloria is not a woman’s name. It
means heaven. Paradise. To serious Christians, “Gloria
in excelsis Deo” means “Glory to God in the Highest.”
Those
who were at the choral festival caught a glimpse of
paradise as they listened to the heavenly voices
exulting God. It was literally heart-stopping for me
when the sopranos scaled the high notes as they sang
“rex celestis,” King of the Heavens. I thought my heart
could not bear so much beauty. And as the choir
accelerated to the glorious climax, many in the audience
felt they were transported to celestial heights.
Thank
you, Romy. Thank you Manila Concert Choir, His Sounds,
Ellinwood Malate Church Choir, Ellinwood Psalm Ensemble,
Holy Redeemer Choir, Good Samaritan United Methodist
Church Chorale Ensemble, National City United Church
Choir and the United Church of the Good Shepherd Chancel
Choir. |