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    By Mindy Farabee
    Los Angeles Times
     

    NEW YORK—A few years ago, when the jaunty advice manual He’s Just Not That Into You reached its zenith, coauthors Liz Tuccillo and Greg Behrendt—both writers for HBO’s Sex and the City—scored best-selling ubiquity and couch time with Oprah by espousing a refreshingly pithy empowerment: If a guy is into you, he’ll make the effort. If he doesn’t, move on. No womanly excuse-mongering.

    Soon after, the whole singles-industrial complex came calling—Could she do a TV segment on assembling just the right outfit for a first date? An article about shopping for Valentine’s Day?—and an inadvertent career in relationship punditry was almost born.

    That didn’t sit well with at least one of the would-be pundits.

    “I’m not that girl,” Tuccillo said over a late Sunday brunch. “I don’t know how to dress for a date. I don’t like Valentine’s Day. There was this moment when I could have been positioned to be this dating expert, and it was the last thing I wanted to be. I’m so proud of [He’s Just Not That Into You], but I didn’t need that next step of being, you know, an expert.”

    So instead, Tuccillo hopped on a plane, started taking notes, and came up with a novel, How to Be Single.

    At its center frets Julie Jensen, a late 30s Manhattan publicist whose life’s work is to promote titles such as The Clock Is Ticking! How to Meet and Marry the Man of Your Dreams in Ten Days.

    Unhappily unhitched and unimpressed with her career trajectory, Jensen opts for major life surgery after a night out with the gals ends up ignobly in the emergency room. Curious to see if her international cohorts are faring any better, Jensen embarks on a global fact-finding mission about singledom. Set in Iceland, India, Brazil, Beijing, Bali, Rio de Janeiro, Paris, Australia and Rome and intercut with scenes of relationship free-falls back in the US, How to Be Single seeks to fashion a beach-read-cum-travelogue.

    A Brooklyn native with roots in Iowa, Tuccillo, then a playwright bereft of television credits, landed at HBO in late 2001 after a friend’s exquisitely timely introduction to Sex and the City show runner Michael Patrick King (the following day, one of his writers quit). The self-help tome that sprung from the show’s loins, meanwhile, keeps on giving. The film version of He’s Just Not That Into You, a romantic comedy starring Gennifer Goodwin, Jennifer Connelly, Jennifer Aniston, Drew Barrymore and Ben Affleck, among others, is scheduled for a fall release.

    “I can’t be cranky anymore,” Tuccillo confessed. “I want to say things never fall into my lap, but I kind of can’t say that anymore. All the bad luck I’ve had for all these years, I think this is a break. This is the good run.”

    But why continue to dwell on singlehood? Tuccillo lingered over her mineral water a long moment. As the last writer on board, she said, Sex and the City ended a year too soon. “I felt like I had one more, one last thing to get off my chest about being single. It felt almost like a continuation of that experience,” Tuccillo said. “My friend who read the book recently said, ‘You’ve compiled the comprehensive book on being single. Check it off your list; now you’re ready for the next phase of your life.’”

    Tuccillo already has lined up several projects. At the moment, she’s collaborating with Italian director Gabriele Muccino (The Pursuit of Happyness) on a film about divorce, as well as a series for Italian TV revolving around Italian men married to American women. She’s also penned a feature of her own, which she hopes to direct this year, a drama about tragedy among three friends. “It’s the darkest thing I’ve ever written,” she says. “People were laughing at me, ‘This is the same woman who wrote for Sex and the City?’

    “I think I’m just like most writers, affected by circumstances. It feels like a very serious time, and that’s reflected in what I want to write about now.”

    Tuccillo originally conceived of the project as a nonfiction work, based on jet-setting interviews intermittently conducted over a year-and-a-half on Yahoo’s tab—early on, the book was to pull double duty as a Web series only didn’t because “everything changes every two seconds with online media,” Tuccillo said. Even now, How to Be Single reads like the thinly veiled research project it is. “I did not sleep with anyone in Brazil, if that’s the question,” Tuccillo said, cagily adding, “I have a soft spot in my heart for French men, and I love Italian men. And Australian men really did make me feel bad. I came back from Australia a broken woman.”

    But it only took one abortive attempt at the truth—too dry, too many cross-cultural pitfalls—to persuade her to start fictionalizing. Even in sidestepping reality, though, Tuccillo found herself wanting to retread some self-help ground. How to Be Single incorporates a sort of prescriptive element as the author’s alter ego demands answers from one representative demographic after another. The lessons, however, owe more to new perspectives than facts.

    “Nobody grabs self-help books like they do in America. Maybe in England they do a little. And maybe Australia. Nowhere else are people talking about ‘I just read this book that tells me I have to do X, Y or Z,’” she said.

    In Chapter 2, amid the emergency room hoopla, Tuccillo’s Jensen declares herself “frankly tired with America.” No, it’s not a dig at the Bush administration, and in talking to Tuccillo it appears that writing How to Be Single left its author with an almost maternal concern for her fellow countrywomen, subjected to a particularly emphatic mantra of relationship, relationship, relationship.

    “My nature wants to make fun of the idea that the answer to everything is we have a lack of self-esteem so everything can be solved by loving yourself. They’ve become trite and empty words. I’ve been in therapy a really long time and still I come back to, ‘Really, that’s still the issue, I don’t love myself enough?’” she said. “That’s so boring, I’m such a cliché.

    “But then, traveling around the world I saw that all women, and single women particularly, do so much better in the cultures where there’s this ingrained message of loving yourself just the way you are.” Tuccillo repeatedly cites Iceland as an exemplar, with its lingering Viking ethos, a culture predicated on men at sea while fiercely independent women held the frigid home front together.

    Tuccillo’s drawn to a fundamentally forgiving mentality.

    “Women, particularly American women, have all these messages telling them they’re not good enough. You do have to love yourself almost as an act of defiance, as a rebellion. Not a ‘bubble bath’ kind of loving yourself.”

    While the dinner, drinks and view of the Manhattan skyline at the book’s conclusion might ring out with the emotional resolution of a Sex and the City episode, in a Greenwich Village café, as in real life, it’s an open-ended story. “I’m ready to not be single,” the 45-year-old said by phone a few days later. In a new relationship, she remains amenable but ambivalent on the subject of family. “I’m at the age where....How can I make it not sound dark?” She paused with a laugh. “I mainly want a partner to have a partner. That’s always been the most important thing. I’d love to meet someone soon enough that adoption’s an option.”

    For the moment, though, there’s still a book about the relationship question to promote, which tends to bring out the comedy writer within. “Somehow being on Sex and the City was a curse for practically all the women on the show,” she said. “It’s like fate wanted us to stay single so we’d have material.”

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