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Help
File: Burning Question
By Rob Pegoraro,
The
Washington Post
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WHY
aren’t there any rewriteable double-layer DVDs? I can
find dual-layer discs only in write-once formats that I
can’t reuse.
Recordable DVDs can hold 4.7 gigabytes of data, and once
that must have seemed like an inexhaustible capacity.
But now that one year’s worth of digital photos can max
out a disc, the 8.5 GB allowed by “dual-layer” discs
looks a lot more attractive.
But as
the questioner noted in a recent Web chat, the only
dual-layer discs for sale are write-once blanks, not the
more useful rewriteable kind. That’s not because DVD
technology prohibits such a thing. A few years ago, the
DVD Forum, which sets industry standards, approved a set
of specifications for dual-layer rewriteable DVD-RW
media, and the same work has been done for the competing
DVD+RW format.
But
other factors hold back these higher-capacity
rewriteable discs—starting with high prices and limited
compatibility, said Hugh Bennett, an industry consultant
in London, Ontario. He said that dual-layer rewriteable
discs are expensive and inefficient to make and that
they don’t work in existing DVD players and drives.
Andy
Marken, a spokesman for the disc vendor Verbatim, also
pointed to the historically poor sales of rewriteable
discs, noting that sales of write-once CDs and DVDs have
outpaced those of rewriteable discs by a factor of five.
That gives manufacturers little incentive to make
dual-layer DVD-RW or DVD+RW formats work.
So how
are you supposed to back up all of your photos? The best
high-capacity backup tool remains an external hard drive
that you can plug into any other machine—although it’s a
good idea to keep a second backup of your most important
files on a DVD or six. |
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Help File |
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Recordable DVDs can hold 4.7 gigabytes of data, and once
that must have seemed like an inexhaustible capacity. But
now that one year’s worth of digital photos can max out a
disc, the 8.5 GB allowed by “dual-layer” discs looks a lot
more attractive. |
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COLIN
FIRTH is uneasy. Habitually, fortuitously so. At the moment,
the actor is uneasy about his career choice: “Do grownups
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mince around pretending to be someone else?’ I don’t know.”
It was adolescent unease that got him into the profession
and proprietorial unease that nudged him into a role where
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LOS
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A
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A STORY
can be retold in many ways—Mercedes and Consuelo, the
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Reamillo, the story of his family’s involvement in the piano
industry is retold in his current work, entitled The
Nicanor Abelardo Grand Piano Project, at the UP Vargas
Museum. The project recounts Reamillo’s personal experiences
in his family’s piano-making workshop at Javencillo and Co.
Inc., makers of Wittenberg pianos in the ’60s and ’70s,
through the process of restoring “disused” pianos and
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