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ON its
11th year, Philippine Fashion Week (PFW) finds a
comfortable home at the state-of-the-art
SMX Convention Center
and SM Mall of Asia. Fashionistas, trendinistas and the
simply curious hardly complained navigating the lengthy
escalators to and from convention halls just to witness
the smoothest staging of shows in recent years. v All
things fashionable—from the marvelous to the mediocre,
to the can’t-get-enough-of collections to those that
were a complete waste of time (and fabric)—were given
their Warholian moment in the spotlight. So only a few,
therefore, persists in memory.
“I think
that joining PFW is a great marketing tool. I get to
show my clients and other people my new designs and
concepts in making clothes. I guess it’s a new learning
experience for me every year and a chance to attract
more clients,” John Paras, 23, says.
“I was
thinking of Blair Waldorf [Gossip Girls]. She was my
inspiration for my collection. I tried to play around
with classic silhouettes but altered them to make them
fun and young. I used printed silk, dull satin, illusion
tulle and acrylic and glass beads,” Paras says. “Fashion
is my first love and my passion. I think I will have
more enjoyable years to come.”
For
his part, design-contest veteran Chrys Diaz says of his
vision for PFW: “The look is World Tribe. The vision is
of women in Paris, New York or Milan wearing
Philippine-made, tribal-inspired garments with their
favorite American or European designer labels. I was
thinking of two different style inspirations and fusing
them together—1900s riding habit (for my cinched
waist-peplum silhouette) and luxe ’70s interiors (for
the rich-boho vibe). I used dyed cotton damask, satin,
fringe, beaded brocade and faux furs.”
What
benefit is he expecting from participating in PFW, the
biggest gathering of local talents in the country
produced by Runway Productions? “My existence as a
designer [will be known] and also to raise my market
value,” the fast-rising 30-year-old talent says.
Being in
PFW also affords a fashionable new lease on life for
some. Gionna Cabrera, Binibining Pilipinas 2005 and Miss
Photogenic at Miss Universe the same year, wants to
spread her brand of beauty by creating unique bags.
“Since I
am designing and manufacturing wooden hand and clutch
bags, I thought of something that would have the flair
to make a statement everywhere—as in a one-of-a-kind
‘Verdant Vitale’ or lush life bag collection,” the
gracious beauty queen explains. “The life in the wood is
timeless, as in hand-carried furniture pieces that exude
stylish identity for the collector/wearer. My
inspiration is surreal nature and vintage jewelry.”
She used
Philippine Mahogany wood as her main medium for her
stylish-bag creations. In the Verdant Vitale collection,
she incorporated other materials like Swarovski crystals
and polyurethane-paint lacquer, “depending on what goes
with the design in my mind.”
With
this new career direction, Cabrera, 25, maintains that
PFW is a great ally. “The benefit for each designer
would be the experience in having showcased a collection
in the most awaited convention of fashion. You could
expect better response for your brand, better recall
after such an exposure,” she says. “You can position
your brand in a wider scale, not just for the local
niche market that’s already available to you.” |